Crazy & Weird Building Designs ...
Saturday, April 7, 2012 Labels: Bath Tub, Deeksha, Deepali, Deepika Padukone, Denise Milani, Desi, Devdas, Hot Thighs Show, Natsuko Tatsumi 0 commentsBhavana Shocking Unseen LaTEST Photoshoot
Friday, March 23, 2012 Labels: BHAVANA, Bhoomika, Bhuvaneswari, Bikney show, Boob Show, Butt Show, Deeksha, Deepali, Deepika Padukone, Denise Milani, Desi, Devdas, Madhuri Bhattacharya 0 comments[IMG]
In Bed with Bollywood
Monday, February 13, 2012 Labels: bollywood, Bollywood Actress Wallpapers, Boob Show, Butt Show, Chitrangada Singh, Deepika Padukone, Denise Milani, Desi, Devdas, Jinal Pandya 0 commentsThe Top 15 bedroom scenes that changed the way the Hindi film industry (and you) view sex on screen
With Kareena finally agreeing to do a steamy bedroom scene in 'Heroine', we give you a list of Top 15 turning points in Bollywood sexuality, from controversial romps in the cave to plagiarized scenes from Kim Basinger starrer '9 ½ Weeks'…
1. Parveen Babi and Amitabh Bachchan in Deewar (1975) – While an actual romp was not pictured in the film, Parveen Babi enjoying a post-coital cigarette while resting her head on Amitabh Bachchan’s hirsute chest heralded a new era for the sexually liberated urban woman in Indira Gandhi’s Emergency-riddled India.
2. Zeenat Aman and Shashi Kapoor in Satyam Shivam Sundaram (1978) – Raj Kapoor’s most controversial film had this couple making out in a cave next to a waterfall. The film fell into trouble with the Censor Board in 1978. It finally opened to a lukewarm response from audiences and critics. However, to date, this remains a benchmark for how far Bollywood pushed its carnal pedal in the 1970s.
4. Parveen Babi and Marc Zuber in Yeh Nazdeekiyan (1982) – This was parallel cinema’s unabashed exploration of an urban couple giving in to their carnal impulses. Marc Zuber plays a married advertising executive who has been loyal to his wife. That is until he meets Kiran, a model played by Parveen Babi.
5. Mandakini and Rajiv Kapoor in Ram Teri Ganga Maili (1985) – The film doesn’t need an introduction. Many a VHS remote control had a clunky rewind button thanks to Mandakini’s infamous waterfall sequence. However, the film has a suhaag raat scene that was rather sensitively shot, even if a shrill B-roll with Mandakini’s pahari brother getting killed by local goons neutered the eroticism.
6. Dimple Kapadia and Anil Kapoor in ‘Janbaaz’ (1986) – After a tempestuous break-up with Rajesh Khanna, Dimple returned to cinema. And how. With a steamy song sequence in ‘Saagar’ (‘Jaane Do Naa’ by Asha Bhosle) already behind her, she had the thermometer exploding in Feroz Khan’s ‘Janbaaz’ (much like the egg yolks from Sridevi’s drug-induced hallucinations in the same film). Anil Kapoor and Dimple Kapadia’s romp in the hay truly pushed the envelope in which a day-glo Fanny Price sheds all her inhibitions for a bratty aristocrat.
7. Madhuri Dixit and Vinod Khanna in ‘Dayavan’ (1988) – In his follow-up to ‘Janbaaz’, Feroz Khan cast Vinod Khanna and Madhuri Dixit as a newly-married couple that goes for it in the song ‘Aaj Phir Tum Pe Pyaar Aaya Hain’. Madhuri was already making waves for her portrayal in ‘Tezaab’ and ‘Parinda’ then and Vinod Khanna had come back from his four-year sanyaas at the Osho commune to teach us what he had been learning there. Jolly good!
8. Madhuri Dixit and Anil Kapoor in ‘Parinda’ (1989) – Vidhu Vinod Chopra’s remarkable film had a wedding night sequence that had the couple in bed with only a bed sheet covering them. And then, as if a harbinger of conservative times to come, they get riddled with bullets from a gangster’s AK-47. Nonetheless, this heralded a new era of sexual liberation in late ‘80s and early ‘90s Bollywood before Rajshri Productions and Karan Johar spoiled the party with their regressive family entertainment formulas.
13. Raj Kumar Yadav and Neha Chauhan in Love Sex aur Dhoka (2010) – Ekta Kapoor juggles two worlds. Her soap operas are an unending nightmare of scheming in-laws and cloistered lives from the Hindu joint family. Her films, in turn, are increasingly becoming the yardstick by which audiences can note how Bollywood is reclaiming its perineum from the Censor Board. As a matter of fact, Raj Kumar Yadav has come to represent the hitherto unused testosterone of every aspiring hunk in Lokhandwala who dons a bicep-hugging T-shirt and will pull down his pants at the drop of a hat.





